[Ableism ] disability is perceived as a mistake, a lack or a failure and not as a consequence of life events or diversity within humanity
Ableism (also, The Con Artist's Fallacy; The Dacoit's Fallacy; Shearing the Sheeple; Profiteering; "Vulture Capitalism," "Wealth is disease, and I am the cure."):
A corrupt argument from ethos 1, arguing that because someone is intellectually slower, physically or emotionally less capable, less ambitious, less aggressive, older or less healthy (or simply more trusting or less lucky) than others, s/he "naturally" deserves less in life and may be freely victimized by those who are luckier, quicker, younger, stronger, healthier, greedier, more powerful, less moral or more gifted (or who simply have more immediate felt need for money, often involving some form of addiction). This fallacy is a "softer" argumentum ad baculum. When challenged, those who practice this fallacy seem to most often shrug their shoulders and mumble
"Life is ruff and you gotta be tuff [sic],"
"You gotta do what you gotta do to get ahead in this world,"
"It's no skin off my nose,"
"That's free enterprise,"
"That's the way life is!"
[...] the act of reading is a secret, and sometimes fertile, ceremony of communion. Anyone who reads something that is really worth the trouble does not read with impunity. Reading one of those books that breathe when you put them to your ear does not leave you untouched: it changes you, even if only a little bit, it integrates something into you, something that you did not know or had not imagined, and it invites you to seek, to ask questions. And more still: sometimes it can even help you to discover the true meaning of words betrayed by the dictionary of our times. What more could a critical consciousness want?
One piece of information followed by a denial, that's two pieces of information.
The basic project of art is always to make the world whole and comprehensible, to restore it to us in all its glory and its occasional nastiness, not through argument but through feeling, and then to close the gap between you and everything that is not you, and in this way pass from feeling to meaning. It’s not something that committees can do. It’s not a task achieved by groups or by movements. It’s done by individuals, each person mediating in some way between a sense of history and an experience of the world.
Dear Mr. —
It comes down to the meaning of ‘needless.’ Often a word can be removed without destroying the structure of a sentence, but that does not necessarily mean that the word is needless or that the sentence has gained by its removal.
If you were to put a narrow construction on the word ‘needless,’ you would have to remove tens of thousands of words from Shakespeare, who seldom said anything in six words that could be said in twenty. Writing is not an exercise in excision, it’s a journey into sound. How about [Macbeth’s] ‘tomorrow and ...