Style is to the writer what color is to the painter.
Style for a writer, like colour for a painter, is a question not of technique but of vision. It is the revelation, which would be impossible by direct or conscious means, of the qualitative difference in the ways we perceive the world, a difference which, if there were no art, would remain the eternal secret of each individual.
Through art only we may come out of ourselves, to learn what others see of the universe - for theirs is not the same as ours, and its landscapes would have remained as unknown to us as those of the moon. Thanks to art, instead of seeing one lone world, ours, we see it multiplied with as many different worlds at our disposition as there are original artists, more different from each other than those rolling in infinity, and many centuries later, after their emanating fire has been extinguished, from now Rembrandt, now Vermeer, we still receive their special light.
[...] the act of reading is a secret, and sometimes fertile, ceremony of communion. Anyone who reads something that is really worth the trouble does not read with impunity. Reading one of those books that breathe when you put them to your ear does not leave you untouched: it changes you, even if only a little bit, it integrates something into you, something that you did not know or had not imagined, and it invites you to seek, to ask questions. And more still: sometimes it can even help you to discover the true meaning of words betrayed by the dictionary of our times. What more could a critical consciousness want?
One piece of information followed by a denial, that's two pieces of information.
The basic project of art is always to make the world whole and comprehensible, to restore it to us in all its glory and its occasional nastiness, not through argument but through feeling, and then to close the gap between you and everything that is not you, and in this way pass from feeling to meaning. It’s not something that committees can do. It’s not a task achieved by groups or by movements. It’s done by individuals, each person mediating in some way between a sense of history and an experience of the world.
Dear Mr. —
It comes down to the meaning of ‘needless.’ Often a word can be removed without destroying the structure of a sentence, but that does not necessarily mean that the word is needless or that the sentence has gained by its removal.
If you were to put a narrow construction on the word ‘needless,’ you would have to remove tens of thousands of words from Shakespeare, who seldom said anything in six words that could be said in twenty. Writing is not an exercise in excision, it’s a journey into sound. How about [Macbeth’s] ‘tomorrow and ...