The art of storytelling had been slowly disappearing with the event of everyday news
Every morning brings us news of the globe, and yet we are poor in noteworthy stories. This is because no event comes to us without being already shot through with explanation. In other words, by now almost nothing that happens benefits storytelling; almost everything benefits information. Actually, it is half the art of storytelling to keep a story free from explanation as one reproduces it...
The most extraordinary things, marvelous things, are related with the greatest accuracy, but the psychological connection of the event is not forced on the reader. It is left up to him to interpret things the way he understands them, and thus the narrative achieves an amplitude that information lacks
(...) This line of thought demonstrates a real struggle to identify with black humanity in any conceivable way. To them we ...
If the other is a source of knowledge, the reciprocal is immediate. I am, too, whatever my temporary social position, whatever the ruling that the school institution has pronounced on my account, I, too, am for the others an opportunity for learning. Through my life experience, my professional background, my social and cultural practices, and since knowledge is coextensive with life, I offer knowledge resources to a community. Even if I am unemployed, even if I have no money, even if I do not have a diploma, even if I struggle in a suburb, even if I do not know how to read, I am not "a zero". I am not interchangeable. I have an image, a position, a dignity, a personal and positive value within the Knowledge Space.
All humans have the right to be recognized as an identity of knowledge.
Things are not nearly so comprehensible and sayable as we are generally made to believe. Most experiences are unsayable; they come to fullness in a realm that words do not inhabit. And most unsayable of all are works of art, which — alongside our transient lives — mysteriously endure.